Showing posts with label Drawing. Show all posts
Showing posts with label Drawing. Show all posts

Thursday, September 24, 2015

Barbarian Charge vs Barbarian Sneak

HarnWorld Barbarians, Copyright © 2015, Columbia Games, Inc. and Richard Luschek
I was asked by Columbia Games to update a cover for one of their publications- Barbarians of Hârn. They wanted something featuring a lone warrior- something with a bit more action.
One of my big goals for this years production running up to the next Gen Con is get nice covers done for all the Kingdoms and the major cities. I think Hârn needs covers that will help sell the product to a new fan base. This was a good way to get the ball rolling on the cover situation for new products and to fancy up the current product like.
The original cover was done by Eric Hotz, the illustrator who set the gritty visual tone for Hârn and is one of the reasons I was drawn to this fantasy world in the first place.

Barbarians cover by Eric Hotz, Copyright © 1984, Columbia Games, Inc. and Eric Hotz
The original cover is 30 years old (that does not seem possible!) and was due for an update. There is something quaint about this cover but I always thought the barbarians looked more like shy, fat Dwarves.
I decided to compose my cover after one of my favorite Hotz covers- Nasty Brutish and Short.

N, B, & S cover by Eric Hotz, Copyright © 1984, Columbia Games, Inc. and Eric Hotz
Imagine your players being attacked from the right by goblins when suddenly a barbarian tribesman charges out of the woods on your left.
I started with some very rough sketches to get approval.

I did about 10 or so, some on horses, but thought a closeup of the barbarian would be more interesting.
I chose the Equani tribesmen known for their rough facial branding and collecting of scalps.
After posing myself for some very manly reference photos (which you will never see), I started sketching it out. I had a sword initially but the axe is just too bad ass.
Barbarian Sketch, 11" x 9", Copyright © 2015, Columbia Games, Inc. and Richard Luschek
I tweaked it a bit, printed it out on 11x14 card-stock then coated the drawing with amber shellac. The oils in the paint will eat the paper, something is needed to protect the drawing.

Barbarian drawing , 14" x 11", Copyright © 2015, Columbia Games, Inc. and Richard Luschek
I just started in painting in oil, working towards the big look of value and color on that first day.
Barbarian Day one Lay-In , 14" x 11", Copyright © 2015, Columbia Games, Inc. and Richard Luschek
Each day I refined the drawing, bringing it into focus.

Barbarian Day 4 , 14" x 11", Copyright © 2015, Columbia Games, Inc. and Richard Luschek

Once the painting progresses problems start to emerge and you discover things you just don't like. I did not like the back arm and totally repainted it removing the leather guard. The sketched in brands were starting to take on  a gross dimensional look.

Barbarian Day 5 , 14" x 11", Copyright © 2015, Columbia Games, Inc. and Richard Luschek
After I fixed the back arm, the one in the front started to look terrible. Looking in the mirror, I found a pose I liked better and I took some new reference shots.
Barbarian Day 6 , 14" x 11", Copyright © 2015, Columbia Games, Inc. and Richard Luschek
A bit more tweaking and I was basically done. I ended up adding a purple glaze over the whole figure to darken him down and give him a more swarthy look.
I shot a high-res photo of the painting. A bit of photoshop cleanup and it was ready for the title- which ended up covering more than I had hoped.
The cover was printed and added as a wrap around to the books in the warehouse. The interior text is all the same, so if this is already part of your collection, but you'd like to update with the new cover, contact Columbia Games for purchase.


The framed original painting is available for sale as well. Contact me if you are interested. If you have young children, this would look great hanging at the foot of their bed.

Wednesday, March 26, 2014

Something to Stand For!

In the past year or so, I have been  doing a lot more illustrations. It is great to have the work, but I have been finding myself sitting in a desk chair for hours at a time. Of course, a smart man would get up and stretch once a while- maybe even just move a little. As a result I was getting fat and out of shape, my legs were aching and as I worked at this very non-ergonomic desk my shoulders would hunch up and then my back would hurt.
See what I go through to do my work!
Anyway, instead of being a fat, crippled martyr for my work, I decided to switch to a stand up desk.
Here is some science on the subject. Click Here

After a bit of research and looking around for desk that would fix my dilemma, I decided to build my own. I found an online resource to determine the correct height. Click Here
I determined that my desk needed to be around 42 inches high. I could have probably just made the desk I had tall enough, but I don't do things that way.Thought I would post about this wonderful part of illustration process in case you wanted to stand up with me. Let's all stand up.

I was a cabinet maker for a while and am fairly handy, so I thought rather than build something ordinary, I should make a fine piece of furniture. A few years ago a friend sold his parent's house and was cleaning it out. He and his wife gave me a few things that were just going to get thrown away. Being a pack rat, I took it all and hauled it home.
Here is photo of my lovely wife after helping me get the prize out of my van. She immediately said, "Why the hell do you need a old Organ?" At the time I honestly did not have any idea, but I still needed it!
There is a reason I have never been able to park my van in the garage.
This beauty is an A.B. Chase pump organ from the 1880s. A close up view will show the rough shape it was in.
While the bulk of the wood was salvageable, all the innards were ruined by a combination of dry rot and being stored in a basement. So, I carefully pulled it apart and saved all the parts I could. Just taking this apart without doing damage was a chore. The inside organ parts had to be thrown away, but all the panels and decorative parts ended up being used in other places.
Of course the organ is not high enough for a stand up desk so I had to figure out how to make it about a foot taller. Raising it in a pleasing way took some time and a lot of sketches.
I finally realized the panels from the top were about the right size and would match the sides.



I used 2x4s to make the base for the panels. Using different woods was something I regretted later. Early on I thought it was in such bad shape I would have to paint it. If I had know it would finish up so well I would have found walnut for all the added parts.

The decorative foot on the front was removed and dropped down to the bottom. Now I needed to fill that space somehow. Those two spindles you see leaning at the bottom of the organ were off an old chair I found in the garbage, they were cut to fit, drilled for dowels and filled that space like they were meant to be there.
After I got the height issue fixed, I just needed to start putting a desk inside the box. I added a shelf at the bottom and the desk top. A drawer fit in the space where the keyboard used to be. I had a set of drawers from an old priest's wardrobe I got out of a abandoned convent.

Here it is with all the parts pretty much in place. I realized the shelf space at the top for the monitor would not work, so I had to cut the top of the organ so it would not be right in my face. I also wanted to fill in the bottom under that shelf and decided to reuse the parts where the organ pedals used to be. It would just be a shelf at the bottom (turns out it makes a good foot rest). There were also some decorations from those parts I wanted to use for the drawer.
With the top cut to make room for the monitor I need a header piece- it probably had one originally. I got a piece of walnut and sketched a few designs based on other organs I found online. I settled on the one above. I carved designs in the blocks that matched the simple designs in other areas.
You can see the drawer front now has two inlaid blocks I salvaged off the top of the foot pedal bracket that got cut off when I added it below the shelf. They added a nice design and also covered holes in the drawer front from old handles. The sheet music rest became the drawer pull (unfortunately while it is a pretty drawer pull, it also catches dust, eraser bits, crumbs and beard hair).
I had realized while building this that the old shellac finish came off pretty easily with scraping and sanding, so rather than paint it I could stain it. Since I used pine, birch, poplar in other areas I would have to do some creative staining to get it all even.

It stained up pretty well actually. The areas that were lighter got a brushed on tinted polyurethane to even it out.
Those weird looking things on the outside of the organ just to the left of the drawer were originally supposed to hold candles. While I will not be using candles I did use one of them to clamp a desk lamp to.
Here it is today in full use.  Keyboard and mouse on the top can be pushed back out of the way if needed. The computer and scanner/printer are on the lower shelf. You'll notice on the tablet screen that I am coloring the art I did for Rethem.
I mounted my digital tablet on a telescoping arm which allows it to be moved out of the way or be pulled over for drawing. I can use the monitor to display reference or for watching Netflix while I work.
One part I am still working on is the "analog" drawing desk. Currently I have a panel under monitor shelf that I can pull down for sketching and drawing. It works pretty well. I may move it above that shelf so it is a bit higher. I will then add flat file storage under that shelf. I will post an update when I figure it all out. Below you can see the board put away and pulled out. I'll stain it like the rest when I'm finished.

I am pretty happy with the desk. I will say for about two weeks after switching to standing I thought I had made a terrible mistake. My feet were killing me and it seriously wore me out. I eventually got used to it. Now I think my posture is improving, I have less knee issues and shoulder pain and it keeps me more alert.
My only regret is that I wish I had made the desk top a bit wider deeper so I had more room.

My set up is in the basement next to two south facing windows, so I get some good light during the day. I am glad I'm kind of hidden away since a stand up desk mixed with music can result in a dance party at any moment. Some New Order just started playing on the online station I am listening to and things got a little crazy.

Saturday, November 2, 2013

A bit more Fairy action

The article on Harnic Fairies is finally online and available.
Download the PDF here for free.

Spirit Folk, Brownie, Bogaern, Cluricaune, Copyright © 2013, Columbia Games, Inc., Rob Barnes and Richard Luschek

Above are the common domestic brownies.
"Hearth or domestic spirits are solitary faeries who seek out human
households to inhabit. Such spirits may gravitate toward a particular
feature of the home, some preferring the stables or gardens while others
take residence in houses. A spirit that cares for the poultry may encourage
chickens to lay more eggs, find eggs that are hidden, or protect the fowl
from predators. A house-dwelling spirit may guard the fire in the hearth,
keeping the embers hot overnight or food from burning in the pot. The
range of powers differs with each kind of hearth spirit. Most like humans as long as they are treated well."

After many a sleepless night trying to catch a photo of one of these creatures at work in my house, I decided I was going to have to pose myself for these little guys. I wrote about the dangers of having these reference photos on your camera in a previous post. I shoot the photos, pick the best ones and then use them as rough guidelines for the drawings. After a few sketches I do a final drawing, ink it and erase the pencil. I scan the ink drawing and color it in photoshop.
Spirit Folk, Brownie, Bogaern, Cluricaune, -Ink Drawing Copyright © 2013, Columbia Games, Inc., Rob Barnes and Richard Luschek

While I will spare everyone the reference photos for the two fine fairy gentlemen on the left, the one on the right is pretty funny and give you some idea of the excellent acting involved. Keep in mind I did this completely sober.


Spirit Folk, Cluricaune reference photo  Copyright © 2013, Richard Luschek and my Mom
At some point I should probably do an entire blog post about that mug I am holding. It is an amazing piece of kitch pottery that must be shared with the world.

Friday, May 25, 2012

Dragon in Charcoal

I am finishing up the first painting of my commissioned series for the Demolay International. The design firm that ordered the project also wants the charcoal study I did for the painting. The charcoal study was pretty beat up from being around the studio-  an easel fell on it and I accidentally dragged a cloth across the front of it. So, I spent a bit of time cleaning up the drawing and then decided to just pop the light effect and fix some of the things that I had moved in cursory fashion while testing changes that I would make on the painting. I also decided to strengthen and correct the design on the shield, since I knew that would be an important part of the image.
I have to ship the image, and it is a big drawing- 24" x 36". I ordered a very nice frame with a warm, dark grey matte. The issue was the glass. The client asked for conservation glass, which is at least 3 times the cost of normal glass. So, the glass alone was going to be almost $120.
I was not comfortable shipping that huge piece of glass to Boston. Both the frame shop and I decided it would be best to frame it with plexi-glass. Now the issue with plexi is that it can produce a lot of static and suck charcoal particles off the drawing. Despite my better judgement, I used spray fixative on the drawing. Fixative protects and adheres the charcoal but it also kills the contrast a bit, making the darks a lighter, more silvery grey.
I am hoping the client will replace the plexi with conservation glass when they receive the drawing. This is the stuff you never really plan on or think about when taking a commission.

Join the Fight, 36"x24", charcoal and chalk on toned paper, © copyright Demolay Int. and Richard Luschek 2011
I will post the final image of the painting soon. I need to get a high res scan of the image so it can be reproduced as a full size poster.